It's when Esther takes a job babysitting for the Browns, a couple whose infant daughter recently died, that the story begins moving. Esther spends her days playing in the Browns' backyard with four-year-old May while May's mother Amy works on a mysterious art project in the attic. Esther loves spending time with May, but her life remains rather static as she navigates several ill-fated romantic entanglements and attempts to write a screenplay.
There's no doubt that Leigh Stein is a talented writer; however, I didn't feel like I could take anything away from her characters. I like to read novels that make a character's unique struggles into something universal, something that anyone can relate to. Unfortunately, The Fallback Plan did the opposite for me: Esther's post-graduate conflicts were so mundane that they seemed specific only to her situation. Even as someone who experienced depressive episodes in college and felt that awful sensation of standing still while the rest of the world continues moving, I couldn't seem to relate to Esther. And most of the secondary characters were like stick figures rather than actual portraits of human beings.
The part of the book that resonated most with me was Esther's memory of a cruel and traumatizing prank at a sleepover she attended when she was thirteen. Unfortunately, the tale lasted just a few pages and didn't really play into the novel's story as a whole. I imagine that Leigh Stein's writing will only improve if she continues, I just hope that I'll find something more in her future novels.
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